All posts by admin

2019.7 | Saas-Fee Summer Institute of Art Berlin

Call for applications until April 1, 2019 I am happy to be part of the faculty!   Read more...

2019.1 | The New Alphabet School HKW Berlin

I am happy to announce my participation in The New Alphabet School at HKW Berlin (January 2019) The New Alphabet School is a school for artistic, curatorial, archival, poetic, activist, critical and affirmative research practices. Over the course of 3 years, it will function as a colloquium to engage in discussions and develop ideas for ... Read more...

2018.7 | Localizing the Contemporary The Kunsthalle Bern as a Model

Localizing the Contemporary How Exhibitionary Practices Take Place Contributions by Olivia Baeriswyl, Laura Valentina Bohnenblust, Nicolas Brulhart, Kari Conte, Thierry Dufrêne, Roland Früh, Ueli Kaufmann, Valérie Knoll, Maija Koskinen, Damian Lentini, Diego Mantoan, Susanne Neubauer, Bernd Nicolai, Glenn Phillips, Nadia Radwan, Hans Rudolf Reust, Peter J. Schneemann, Yvonne Schweizer, Terry Smith, Geraldine Tedder, Beatrice von ... Read more...

2018.7 | AICA 1959 within its Geopolitical Context and the Question of the “Menschenbild” as a Paradigm of Post-War Modernity

My paper will discuss the geopolitical and cultural context of the Extraordinary Congress of AICA held in Brasília, São Paulo and Rio de Janeiro in 1959 as a starting point of reflection. In 1959, the second documenta was opened, the Biennial of São Paulo was put on view in a new building of Oscar Niemeyer, ... Read more...

2018.4 | Avantgarde, Politik und radikale Pädagogik im historiografischen “Turn” in der Kunst Lateinamerikas

Read more...

2017.9 | 3 Sessions on Postwar modernity | Universidade de Brasília

Lecture series at the Universidade de Brasília on current research topics in Brazilian-German art of the post-war era. September 18-19, 2017 Organized by Prof. Dr. Marcelo Mari Session 1, Sept 18 – Art: Exhibition of Brazilian Artists at Haus der Kunst in Munich 1959 The session will shed light on the contexts in which Brazilian ... Read more...

2017.3 | Max Bense / Aloisio Magalhães, Germany 1969

University of Geneva, invited lecture 15.3.2017 Max Bense / Aloisio Magalhães, Germany 1969 The Transcultural and Popular Context of “History of a Sign” If the Modernist impulse requires new approaches, then many argue that highlighting the networks of artistic exchange is one way of reactualizing the Modernist paradigm. In 1969, Brazilian artist and designer Aloisio ... Read more...

2016.9 | KUNSTHALLEN. Architectures for the Continuous Contemporary in Europe and the US | Bern

2.-3.9.2016 University of Bern “An Architecture of Touch: The Kunsthalle as a Place where Form as Shaped New Attitudes”   Conference abstract and program Internationale Tagung KUNSTHALLEN. Architectures for the Continuous Contemporary in Europe and the US 2.-3. September 2016, Universität Bern Hochschulstrasse 4, Hörsaal 220 / Schanzeneckstrasse 1, Hörsaal A003 In July 1968, on ... Read more...

2016.6 | Museum global? | Düsseldorf

2.6.2016 Schmela-Haus, Kunstsammlung Nordrhein-Westfahlen, Düsseldorf Vortrag im Rahmen der Reihe “Museum Global?” “Politische Verflechtungen im brasilianisch-deutschen Kulturaustausch und ihre Bedeutung für eine Revision der deutschen Kunstgeschichte der unmittelbaren Nachkriegszeit” Read more...

2016.5 | Curatorial Challenges | Copenhagen

May 26-27, 2016 Curatorial Challenges University of Copenhagen   “Against the Grain of Neutralization. Exhibiting the Ephemeral as a Curatorial Production of Historical Knowledge” If the curatorial requires new approaches to knowledge mediation, then many argue this should go hand in hand with new forms of reactualizing the artistic potency and inventing curatorial commemoration. In ... Read more...