Reinhard Voigt: Hör zu@jevouspropose#9 Zürich Darf die Schweiz bewundert werden? Diese Frage treibt mich um, wenn ich Reinhard Voigts Werke für unsere Zürcher Ausstellung betrachte, die Trachtenfrauen, Fahnenschwinger, Berge, Blumen und Seeansichten wiedergeben. Die Motive rufen frische Luft, Frieden, Einigkeit, Traditionsbewusstsein und die “heile Welt“ als Sehnsuchtsort in Erinnerung. Darf die “heile“ Schweiz ins Bild ... Read more...
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2019.11 | Taking a Stand? Bauhaus and Modernity under National Socialism, in Emigration or Exile and in Divided Germany. Berlin, 29-30 November 2019
Concept: Andrea Bärnreuther, Bauhaus-Archiv / Museum für Gestaltung Gui BonsiepeCybersyn Operations Room Datafeed with Chairs, 1972-1973 Born from the periphery – Gui Bonsiepe’s contribution to a symbolic production of design within the cultural-political context of Salvador Allende’s Chile Contribution by Susanne Neubauer and Marcelo Mari, Universidade de Brasília The conference paper focuses on the understanding ... Read more...
2019.7 | Saas-Fee Summer Institute of Art Berlin
Call for applications until April 1, 2019 I am happy to be part of the faculty! Read more...
2019.1 | The New Alphabet School HKW Berlin
I am happy to announce my participation in The New Alphabet School at HKW Berlin (January 2019) The New Alphabet School is a school for artistic, curatorial, archival, poetic, activist, critical and affirmative research practices. Over the course of 3 years, it will function as a colloquium to engage in discussions and develop ideas for ... Read more...
2018.7 | AICA 1959 within its Geopolitical Context and the Question of the «Menschenbild» as a Paradigm of Post-War Modernity
My paper will discuss the geopolitical and cultural context of the Extraordinary Congress of AICA held in Brasília, São Paulo and Rio de Janeiro in 1959 as a starting point of reflection. In 1959, the second documenta was opened, the Biennial of São Paulo was put on view in a new building of Oscar Niemeyer, ... Read more...
2017.9 | 3 Sessions on Postwar modernity | Universidade de Brasília
Lecture series at the Universidade de Brasília on current research topics in Brazilian-German art of the post-war era. September 18-19, 2017 Organized by Prof. Dr. Marcelo Mari Session 1, Sept 18 – Art: Exhibition of Brazilian Artists at Haus der Kunst in Munich 1959 The session will shed light on the contexts in which Brazilian ... Read more...
2017.3 | Max Bense / Aloisio Magalhães, Germany 1969
University of Geneva, invited lecture 15.3.2017 Max Bense / Aloisio Magalhães, Germany 1969 The Transcultural and Popular Context of “History of a Sign” If the Modernist impulse requires new approaches, then many argue that highlighting the networks of artistic exchange is one way of reactualizing the Modernist paradigm. In 1969, Brazilian artist and designer Aloisio ... Read more...